Fusi, Marco. 2011. “Borders.” Liner note for John Cage: Freeman Etudes, books 3 & 4, performed by Marco Fusi, 6–9. Stradivarius, STR33920.

Fusi, Marco. 2017. “A few interpretative annotation.” Liner note for Pierluigi Billone: ITI.KE.MI, Equilibrio.Cerchio, performed by Marco Fusi, 10–11. Kairos, 0015019KAI.

Fusi, Marco. 2018. “Giacinto Scelsi Improviser.” In Free improvisation: history and perspectives, edited by Alessandro Sbordoni and Antonio Rostagno, 281–90. Lucca: Libreria Musicale Italiana.

Fusi, Marco. 2019. “Improvising with Scelsi: Building a Creative Performance Practice in Dialogue with Giacinto Scelsi’s Artefacts.”Musique en acte 1: 39-51.

Fusi, Marco. 2020. “Customizing a methodological approach. Researching Giacinto Scelsi’s performance practice through animated scores” FORUM+ 28 (3): 54-60.

Fusi, Marco. 2020. “Proximity, Distance: our interpretative approach to Luigi Nono’s La Lontananza Nostalgica Utopica Futura.” Liner note for Luigi Nono: La lontananza nostalgica utopica futura, performed by Marco Fusi and Pierluigi Billone, 4–14. Kairos, 0015086KAI.

Fusi, Marco. 2021. “The Ritual of the Fingers: the tactile experience of Scelsi’s music.” Liner note for Giacinto Scelsi: works for violin and for viola, performed by Marco Fusi, 4–13. Kairos, 0015063KAI.

Fusi, Marco. 2021. “Shaping Interpretation Through Experience: A Case for Pragmatic Approach to Contemporary Music Performance” In Experience :: Music ::Experiment. Pragmatism and Artistic Research, edited by William Brooks. Leuven: Leuven University Press.

Fusi Marco. 2022. “The Creative Performer and Giacinto Scelsi”. PhD thesis, Antwerp University.

Fusi, Marco. 2022. “Fingers to Sounds, Sounds to Fingers: Creative interaction with Giacinto Scelsi’s archival materials as means to devise performance practices of his music”. Archival Notes 7: 85-108.

Charlie Sdraulig, Marco Fusi, Winnie Huang, Gwen Rouger. 2023. “a fragility, which connects: music as a social encounter”. CeReNeM Journal 8 : 13-30.

Jian, Ya-Yun. 2023. “A study of Johannes Brahms’ Sonata Op. 120, 1. What we can learn from violists?” Master’s thesis, HEMU – Haute Ecole de Musique Lausanne.

Lawrenson, Stephanie. 2023. “Reading Between the Ledger Lines Creating my own version of Bartok’s viola concerto.” Master’s thesis, HEMU – Haute Ecole de Musique Lausanne.

Notaro, Renato. 2023. “Alessandro Rolla, il Concerto per Viola di in Mib maggiore BI545” Master’s thesis, HEMU – Haute Ecole de Musique Lausanne.

Valentin, Muriel. 2024. “Les Sonates du Rosaire V, X et XI de Heinrich Ignaz Franz von Biber – La pratique de la scordatura baroque sur alto moderne” Master’s thesis, HEMU – Haute Ecole de Musique Lausanne.

Lucena García, María Verónica. 2024. “Il Concerto per Violino di Brahms: Uno Studio sull’Interpretazione e l’Esecuzione” Mater’s thesis, Conservatorio “A. Vivaldi”, Alessandria.